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Opening Arguments

Second thoughts

Most of the stuff I've read about "Public Enemies" makes it sound either like another Hollywood romanticization of criminal thugs or a boring biopic without much character or depth. But Roger Ebert liked it a lot more than most of the other critics seemed to:

Here is a film that shrugs off the way we depend on myth to sentimentalize our outlaws. There is no interest here about John Dillinger's childhood, his psychology, his sexuality, his famous charm, his Robin Hood legend. He liked sex, but not as much as robbing banks. "He robbed the bankers but let the customers keep their own money." But whose money was in the banks? He kids around with reporters and lawmen, but that was business. He doesn't kid around with the members of his gang. He might have made a very good military leader.

Johnny Depp and Michael Mann show us that we didn't know all about Dillinger. We only thought we did. Here is an efficient, disciplined, bold, violent man, driven by compulsions the film wisely declines to explain. His gang members loved the money they were making. Dillinger loved planning the next job. He had no exit strategy or retirement plans.

Now it sounds interesting enough for me to give it a look. That's what a good critic -- or even one you're just used to reading -- can do. He can make you reconsider a work and look at it from a different perspective. I might end up not liking the movie any more than I first thought I would, but at least Ebert makes me think I won't be bored by the experience.

Comments

Bob G.
Wed, 07/01/2009 - 7:59am

Still...I do miss Gene Siskel's take on the movies...just not the same anymore (but what really is?)

;)

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