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Opening Arguments

The sounds of silence

Don't it always seem to go that you don't know what you've got till it's gone? You also don't know how special something was until you're overwhelmed with it.

For us to be able to enter the world that music creates for us, we need a silence within which to listen. It will be said in response that in many cultures music is not presented as an object of veneration within a temple of adoring quietude, but rather as part of the rush and tumult of everyday life; thus we should not need the expectant hush of the concert hall ourselves in order to go into our music. These are valid points that do challenge the clear subject/object separation that classical music traditions have tended to enforce.

In many world societies, however, there are still spaces—if only interior, or metaphorical, or temporal—set aside for contemplation, for noiseless recalibration of the soul, and in contemporary American culture there are almost none. Our social rituals are constrained by the incessant soundtrack imposed in our public spaces, and our places of worship, by and large, have given themselves over to a muzak-based sense of liturgy that tells us at every step of the way what to feel and with what intensity. Many of us, turning away from both mainline- and mega-church, have sought peace in new-age bookstores, but these, even with their palmists and meditation rooms, surround their patrons with a noxious haze of synthesizers, pennywhistles, and Inuit drums. But beyond shopping, what primary experience are we having here? Are we listeners seeking an archetype of beauty or seekers listening for the godhead? It turns out we are neither—though we may have been duped into one or the other conviction. We are simply consumers. The hope is that, like dairy cattle, we will become more productive if encouraged in our purchases by this kind of marginal musical discourse.

I've had the music for "Viva Las Vegas" stuck in my head for days now. It wasn't exactly one of Elvis' best efforts, and now Viagara is using it in commercials. It's impossible to escape such aural drivel these days. Our ability to appreciate silence is quickly disappearing, and what we have to listen to is destroying our ability to appreciate the difference between noise and music.

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